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Here are many voices


Here are many voices. Each one silent

though full of words, waiting to be woken.

I recognise these names and titles.

Many are friends from long ago, beside

the newly arrived and unacquainted –

quite a few I’ll never know.


Nothing so patient as the unread book

ready to unlock its store of story –

eager description, gentle reflection,

anger, sadness, earnest instruction.

Some urging laughter. Others just trying

to make you cry – sealed up and silent


as I draw near I hear in my head

this voice of mine talking in various accents.

My index finger touching the bindings

can open up, unlock, unmute – set free

stories and thoughts packed tidy and tight

waiting like goods in a hold.


There they remain, heavily freighted

with authorial intention, their burdens

of words bound up and silent, unless another

with finger and voice releases those words

giving them sound. Until then, inside their covers

they wait, weighted with so much to say.




Isn’t it hard to get rid of books – old friends, reminding you of where you were, what you enjoyed, who you were with and, well, who you were – perhaps even are now?

Text books are a bit easier, containing stuff that’s no longer useful – probably out of date now, but they too represent part of one’s past, one’s old identity – each being companions in their own way, with whom you sweated and teared, if not bled. So, several of mine have survived – no longer read or even opened, but still there on the shelves, destined to share my own oblivion when it arrives.

So eloquent are books, we think, that a visit – or a zoom, when perhaps the stage has been set quite self-consciously – to someone’s work area has us craning to read the titles…

(sometimes you don’t even need to read the words on the spine – the books are instantly recognisable by their colourway and font, like the paperback Fabers of the Alexandria Quartet. But of course that tells you as much about me, as them)

 … so that we can draw conclusions/confirm opinions/ write off the observed, through their books.

But there’s more to this story than all this, since many books have come down to us – inherited, like genes. And we for our part will pass them on to our children.

Just look at these Beatrix Potters for example.



Some were given to me when I was little, some are even older; I read them to our children, and grandchildren.  They will go on.  And probably, on and on.


And my Observer books, which I collected, or was given, or (I confess) pinched from brothers. Several are duplicated, as you can see; it’s not a proper collection at all, but I can’t help feeling warmly towards those little 5/- books.


As for my father’s Encyclopedia…


How well my brothers and I recall the titles of the ten volumes, starting with A – Banjo and ending with Tanks – Zymotic Diseases, via Freebench – Hythe (nor am I too sure of the significance of either of those).


Passed to me, never used to find information but occasionally dipped into like a family photo album, to react sometimes with amusement, other times with a shudder at the imperial militarism – can I, should I, discard them?  And how, as for certain my friend the bookdealer won’t give me anything but a wry smile?


So there they all are, and remain for the time being – that run of Dorothy Dunnetts which came from my wife’s mother, my grandfather’s Modern Pig-Sticking by Major Wardrop, my own Hilary Mantels, perhaps destined themselves eventually to become Dunnetts – enough for now, all those books, all those voices…





  1. Thank you Richard. So much to agree with there and so beautifully said. I love the photos. And please may I borrow Modern Pig-Sticking?

  2. Beautiful, I truly enjoyed this one. I too can't make myself get rid of my father's old books, although some are in Hungarian which I don't quite understand. They feel far too precious because of who owned them before me!


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