On a hot summer's day, there's a quiet serenity associated with cows that's almost sacred. Ted Hughes certainly thought so, describing them when lying down in a herd as a ruined holy city, each a fragment of temple, almost unearthly, 'as if a ray from heaven still rested across their brows.' A remarkable reflection from a definitely unsentimental poet, which resonates with a similarly unexpected response in an entirely different medium over two hundred years later from the composer Haydn. In his oratorio The Creation, Haydn uses Raphael to tell us how on the sixth day God created the creatures, focusing on a representative selection. He begins with the lion and then moves on to tiger, stag, horse, cattle, sheep, insects and worms – each musically illustrated. Haydn introduces cattle beautifully with one of his loveliest melodies. So I find myself in good company when I am moved – or should I say settled – by their noble tranquillity bordering on holiness. ...
Just me, and that sound. One man, earth and time-bound,; one bird, free in an empty sky A unique occasion. But a moment shared by so many others... Which experience then, despite – or because even – of its unoriginality, I hope might justify another poem. Lark Is that it, that little speck – is that the bird which never stops to take a breath, the bird whose song someone called a silver chain of many links – can you see where it begins, this chain of sound linking me to somewhere high – like the string of a kite, a vanishing line which tugs with a life of its own, as if sounds by themselves could draw me up towards the origin of that song – while all I can do is strain my neck focusing upon infinity as I scan the sky, seeking the source of a singing that hints at eternity?