Memory has been much in my mind recently, at least partly on
account of reading poems to people with loss of memory. And with gratitude to my good friends at the
Poetry Society for publishing my description of doing this, in Poetry News.
It really is something to think about, when the experience
of hearing a poem remembered from childhood lights up someone who remembers
very little of the here and now – a person for whom there isn’t much in the present
tense, but for whom the past is rich. So
it’s not at all the case that they don’t have memory or are lacking in
memories.
All somewhat paradoxical, as the more distant memories might be thought to be harder to reach. But entering this strange land,
we encounter many an unexpected phenomenon, such as the story of a cat and an
owl sailing a boat for a year and a day before marrying, slithy toves that gyre
and gimble in the wabe and a walrus addressing an assemblage of oysters. The farthest away memories are almost the clearest. So no one should be surprised at what might
be readily recalled. Especially when memorising poems used to be the norm.
My generation (whatever I mean by that) wasn’t required to
learn poetry by heart. But when a poem I
was reading was picked up and recited by someone living with dementia, so that
I could almost stop and let her carry on by herself, I thought it would do me
good to memorise some poetry. And this
in turn had me thinking a bit more about memory. I can now recite by heart several of the poems I’ve
found to be favourites, from Memory Cafes.
Of course, the maintained eye contact helps a lot, but more importantly
the memorised poem has entered into me, become part of me – is now a memory of
my own.
Which has had me bringing to mind some of my own childhood
memories. Certain things that happened
considered ‘normal’ now seem hard to believe. Yes, there was corporal punishment,
eight-year old children could be sent away to boarding school and a child not
much older could make a long train journey with changes, completely on their own.
But no, I was recalling more mundane things – everyday
family life, such as shopping in our local town on a Saturday. I’m sure others will remember the Pedoscope –
a standard piece of equipment in shoe shops, which used X-rays to show how well
the shoe fitted the foot. We all enjoyed
the green moving image of our own foot and toe bones, with a mask port-hole for
the shoe salesman and another for the parent, as well as one for the child. The
feet were the main focus for the radiation, but there was a scattering in all
directions so that everyone, especially the shop assistant operating the machine
throughout the day, was exposed to this hazard.
Children, by the way, are about twice as radio-sensitive as adults. Interestingly,
although the first warnings appeared in 1950, it wasn’t until the end of that
decade that the toxic Pedoscope went its way… but that’s another story.
Whenever it was, I can remember that brown monster well – its
shape, the steps, those port-holes, the rigid sandals on the carpet, the Startrite ad. of the two children setting off in their new shoes down the road–
but best now to turn to my poem, which has another distant memory connection which I
allude to at the end. The effects of
radiation are sometimes not seen until many years, perhaps decades, have
past. Memories can be imprinted deep,
not just in the deep heart’s core, but also in the very marrow.
The Pedoscope
Across a soft carpet,
an Alpine meadow,
I see myself in
stiff-soled sandals
approach a miniature
mountain range –
subsidiary peaks,
topped off by a summit
with steps for
children.
There are foothills
for the taller ones, grown-ups simply stand –
a place for everyone
upon this bakelite ziggurat.
So I ascend, to press
my face into that mask
and peer through
eerie green. Is it water –
what’s inside a
mountain?
There, far below, two
tapering sets
of spindles fan in
semi-circles.
Are they comfy?
They move in agreement.
The magic mountain
hums, streams of light
spill out from
cracks.
Time for me to
descend with care
in authorised shoes
with fretwork sunsets,
un-creased leather
and buttery soles
which now are mine.
Start right
then you’ll travel
far…
two children step
off, leaving the shoe shop
high street and town.
Far behind
on their perspective
road, the brown mountain
plugged in the wall.
That altar’s long gone,
along with those who
paid obeisance. It
left a footprint in the pile,
the pressure of a
setting sun, for a little while.
Deep inside the
marrow’s darkness
descendants’
descendants may yet recall
the power inside the
mountain.
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