As I said, old as Janus was, I’m sure his view wouldn't have extended to prehistory.
Or, come to think of it, to us here now.
My poem for this month looks back that far, way past Janus, into a boggy place here in Devon.
A quarryman working in Kingsteignton in 1867 found a little wooden figure which could be held in his hand. Preserved by the clay, this model man is some 2,400 years old. His body may be attenuated and armless, but somehow he exerts an extraordinary power. The eroded face, carved in the late Iron Age, confronts us – you, me – one face facing another.
Was he a religious idol, a gift to the gods or just a doll, the archaeologists ask?
We can't answer that question. And, if I may say so, perhaps it doesn’t really matter. He is what he is – like us.
What we do know is that one's encounter with him remains etched deeper in the memory after a visit to the Royal Albert Memorial Museum than many another far more beautiful, grander and more complex exhibit.
I'm not sure why this should be, but as I draw near to that face, I feel the millennia falling away, and that in some strange way he's telling us his image is ours as well.
I am your image
Flesh may decay but I am oak
millennia old and I am your image
now clean and dry, chromium poled
officially numbered I am your image
presented erect, appropriately noticed
in your bright light I am your image
drowned to survive and pulled from a pool
history is unclear. I am your image
returning your gaze under furrows and ridges
crinkles run deep. I am your image
and fit in a hand. Soft fingers have curled
round my hard waist. I am your image
awaiting discovery deep in a corner
beyond the play table. I am your image
standing still armless, yet armed
with weapon unsheathed I am your image
ready to challenge, my scowl is yours
I wait as I have done, for I am your image
from long ago. Confrontation continues
you will pass while I am your image
retaining for ever my speckles of sparkle.
Image © Sibelco / Royal Albert Memorial Museum & Art Gallery, Exeter City Council


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